I haven’t been doing nothing; I liked having a show and getting all that attention so much that I applied for another one. Aside from the work in the last show, I have other things which have never or rarely been shown publicly. This is a collection I call the “colossi” because they’re all over 15 feet – among which are two inflatables, portable and easy to put up, if you have the space.
I thought about a partner to show with. I have a friend, John Harnois, a photographer, with whom I talked often over the years about applying for a show together at the Buckham Gallery in Flint. John also has some very interesting older work which has stayed in my mind. This work he calls the “Acrobat Series”, is nudes photographed with a panoramic camera. Although, what he’s best known for is selling his hand-raised chickens and eggs at the Ann Arbor farmer’s market.
And since it’s the age of internet communications, thank god galleries don’t require you to submit tedious proposals, resumes and statements, but accept webpages about your cooked-up ideas. See: http://colossiartshow.wordpress.com/ for John and my proposal. We probably won’t get it, but we try.
John’s voluptuous, factual, nudes have got me thinking – I’ve have a rough idea for new sculpture in wood to do, and what if I worked it along in the feeling of his oh-so literal nudes? My work’s ordinarily so cute and de-sexualized – what if?
I began with some notebook sketches I’ve had, called “Baby”.
Did some more drawings, this time a woman, a genuine reclining nude. So classic, no?
Progressing to some clay models.
I have a piece of cottonwood I’ve been saving for something to do. It should carve like styrofoam, or should I use real wood? Am I going to build this? I don’t know. Is it too weird?
very much liking these Matt…they have a kind of inflated quality – graceful and awkward, buoyant and heavy. Looking forward to seeing where you go with these.
And small caveat (because I just can’t help myself) – cottonwood is real wood. Unless you know something I don’t know.